The Thing (1982) – 4K UHD

Man is the warmest place to hide

Well, it was Halloween last Sunday and The Thing is probably in my top 10 movies of all time! There is no denying that it’s a classic and I was excited to get my hands on a copy of the new 4K UHD remaster. I treated myself to the collector’s edition which includes the 4K UHD, the Blu Ray, The Thing (2011) Blu Ray and the Soundtrack CD alongside art cards, a poster and a booklet containing storyboards, photos, and a script excerpt. It’s a nice package and Monkey was very happy to model it.

I am not going to review the movie, that has been done a thousand times before and we all know this is a belter. It currently sits at 8.1 on IMDB which is a damn good score for a horror film! I just wanted to talk about the experience of watching the 4K release and about sharing one of my favourite horrors with the kids! I saved the first viewing of the new disc until Halloween so I could share it with them, and all enjoy it together. They both sat silently through it, glued to the screen, so they either loved it, were terrified into silence or, hopefully, a little bit of both!

The odd minor spoiler may appear from here on in but, as we are talking about a 40-year-old movie, hopefully you won’t hold it against me!

We all know the premise. A bunch of guys holed up at an Antarctic Research Station fall foul of an alien being that has the power to move between and replicate hosts, so no one is ever quite sure who is still human. As they fight back the bodies inevitably pile up in some of the most amazing and memorable set-pieces ever in a horror movie. The blood test scene is still a favourite and the tension that builds is amazing, even for someone who has seen it countless times. I can safely say that my wife nearly went through the roof with that pay-off which was worth the price of the disc in itself!

So how does the film stack up after all these years? Has it buffed up well on 4k UHD? For someone who has had it on multiple formats, including VHS, DVD, BLU RAY and now 4K I can safely say that yes, yes it does. It has never looked this good. The Arrow Blu Ray that I bought most recently already looks great; the picture is a big step up from the DVD and has a great soundtrack, but the 4K disc just pushes things a step further.

4K isn’t just about increased resolution, however. Although that helps tease out details that you have never noticed before, it is the remastering and HDR image/colour presentation that can make so much difference as well. I won’t pretend to know about all the different formats and differences between them, but the HRD 10 presentation on the UHD disc was an eyeopener on The Thing.

I am a bit sad and enjoy watching videos like the one below that compares various formats of films to show how things have changed over the years. The differences are subtle, but you can see how the 4K images just feel warmer and clearer, despite sometimes appearing to be slightly darker. Even so, there is an increase in clarity and detail that can only be appreciated by watching it on a 4k display. The video below won’t do full justice to the image, but they do give you an idea.

A lot of it will, of course, be down to personal preference, but the detail in the image and the HDR presentation certainly made The Thing even more of a joy to watch than usual. There were a couple of scenes which looked a little soft and the image retains much of the grain that was in previous versions, but these do not detract from the film as a whole, and many scenes look just as fresh as the day they were originally shot, even if the technology in the film is looking a little dated!

I have found some of the monster scenes, such as with the dogs at the start of the film and in the climactic scenes, to be a little dark in previous versions, making it harder to make out what is going on, but the UHD version improves on this immensely. I am convinced I was seeing new details in many scenes. If anyone is still wondering about whether Childs is breathing in the final moments of the film, the 4K presentation will clear up any confusion!

The proof of the step-up in quality was tested a few minutes before the end of the film when the UHD disc decided it was going to be corrupted and we lost image stability and sound. I had to switch over to the Blu Ray and, while the image was still good, the step back in quality was marked. The images of the monster in the tunnels under the research station were lost in darkness and the detail disappeared in the aggressive shadow.

Amazingly, I put in a return request to Amazon and a new disc arrived the next day, which is great service… and I have been able to check out the last few minutes in 4K! And they don’t disappoint.

So it looks great, but how does it sound? Again, in short, it sounds fantastic. While the Blu Ray has an excellent DTS Master Audio soundtrack, the UHD includes a DTS X soundtrack which I pushed through the amp into a 7.1 arrangement. The sound of the Norwegian chopper is handled very well at the start of the film and the gunshots and grenade explosions were suitably punchy and spatially distinctive. It was just as effective in the quieter scenes and the Ennio Morricone theme sounds fantastic whenever it comes on. Obviously, you won’t get the full advantage of this without the additional speakers, but if you do have them, use them, you won’t be disappointed. The aforementioned blood test scene switches effortlessly from tense quiet to a cacophony of yelling and shouting as the alien’s blood is discovered, and the great sound design is what helped almost give my wife a coronary at the same time! Interestingly the kids were unfazed. Although my youngest jumped a little at the blood test scene, I think she was mostly shocked by her mother’s reaction.

One of the most impressive things about The Thing are the effects from Rob Bottin. For a 40-year-old film full of practical effects, it holds up extremely well. Some of the stop-motion effects look a little dated but, as a fan of Harryhausen films growing up, I love that sort of thing and, most importantly, the kids didn’t bat an eyelid at them. A few other older films we have watched recently, don’t hold up so well and, while I see them as classics, the kids tend to laugh at them when the poor effects get shown up by HD/4K remasters. The Thing has no such trouble, and the effects are still wonderfully visceral, shocking, and gory; Norris’ head sliding off the table is still an amazing set-piece.

The Thing is an incredible film, and I don’t think I will ever get tired of watching it. If you have a UHD display and player, then it is a no brainer to own a copy and a “normal” version is available if you don’t want the full-on collector’s edition. There are a lot of special collector’s editions arriving as new films are remastered in 4K and they can be a bit expensive. However, at £40 this package is decent value as you do also get The Thing (2011), the soundtrack CD and the other visual treats, so a good package all round and worth buying the film for the umpteenth time. The normal version is around £20

If you have never seen The Thing, I can’t recommend it enough and it is a treat whatever format you watch it on, so go out and get a copy or stream it now and experience the ultimate in alien terror.

GNoH Review: Warning (2021)

The meaning of life explored through multiple interconnected lives set in the near future. IMDB

WARNING is a film with lofty ambitions which, for me, didn’t quite hit the mark, although I did enjoy it. Ultimately, it cuts itself off from the greatness of the films it pays tribute to by presenting stories that won’t feel fully formed to many and by adding a coda which I am still not sure if it is meant to be funny or not, but which undermines everything that has come before.

See the full review at Ginger Nuts of Horror HERE

GNoH Review: Strange Nests, Jessica McHugh (2021)

Beyond ancient gates, among thorny overgrowth and carnivorous blooms, a raven called Death waits tirelessly for its chance to roost within us. Using scraps of love, remorse, anger, and pain, it weaves. With erasure, memory, and discovery, it binds. And from the garden of wounds that grows within our broken hearts, it builds Strange Nests.

In the follow-up to her Bram Stoker and Elgin Award nominated collection, A Complex Accident of Life, Jessica McHugh uses poetry, design, and illustration to unearth the horrific, consumptive, and transformative nature of grief from the pages of the Frances Hodgson Burnett classic, The Secret Garden.

Strange Nests is a thought-provoking and powerful collection of short poems exploring a range of emotions and experiences that even a novice poetry reader can appreciate and learn from. It is worth a look, even if it is just to get a glimpse at the fascinating world of blackout poetry.

Available to buy on Amazon

Read the Full Review on Ginger Nuts of Horror HERE

It’s Alive!

Dark Mark Writing is born!

Happy Halloween and Welcome to my new website!

The old website was getting a bit dated and felt a bit untidy, so I thought it was time to refresh and renew and what better time of the year to do that than Halloween?

So here it is, Dark Mark Writing, a page dedicated to my writing and thoughts focussing on my love of the horror genre and all things spooky!

Please have a look around and enjoy! Feel free to subscribe to the page for updates and to get in touch if there is anything you want to talk about!

But, more importantly you ask, who won the giveaway?

Well, Monkey rather reluctantly gave up his bounty to Philip F. Webb who was picked at random from all the likes and shares last week and a parcel is in the post to Philip. You can check out his page and work HERE and do take a look at his latest book, Lily of Atlantis, a collection of stories and spells which can be picked up from Amazon for the ridiculously good value of just £4.99!

Thanks to everyone who took part and shared news of the new website, sorry you couldn’t all win, but keep an eye out as I am sure I will do some more giveaways in the future!

So enjoy the site, feel free to look around and, most importantly…

Resident Evil 4 – VR – Oculus Quest 2

This time, you ARE Leon

For over 20 years, the Resident Evil franchise has been turning out survival horror games that fans have lapped up. I am not a hardcore fan of the series who has played all the game, multiple times, but I do have fond memories of Resident Evil 4 back when I played it for the first time on the Gamecube.

Actually, I haven’t played it since, either, I just remember enjoying it!So I was intrigued when I heard it was coming to the Oculus Quest 2, a console I have only just recently acquired, but instantly knew I would have to bless with the RE4 port.

The Oculus is still fairly new to me and I have been “dabbling” with various games and software to explore what VR has to offer. The quality of these and the immersiveness of the experience has varied, but I also haven’t really explored some of the more Triple A titles that the set has to offer; largely because, shortly after buying it, I got wind of the RE4 port and knew I would have to buy that. I was excited as a nearly 50 year old gamer is allowed to get (very excited inside, but outside continuing to carry that cool, intelligent demeanour that everyone knows me for!)

So, after having to wait a month, the title was finally released on 21st October and I spent most of the day refreshing the Oculus store waiting for it to drop and download.

Now, I haven’t finished the game, so this is kind of a first impressions review, but I thought it would be sensible to write something for Halloween and that might encourage anyone who is tempted to take the plunge and get the game.

I think you are going to like it.

So, first off, it is not 100% VR. RE4 jumps back and forth from the main action to 2D cut scenes to advance the story. This can be a little jarring when you first start playing and it can take you out of the game just as you are getting into the whole VR experience. However, it doesn’t take long to get used to them and pretty soon it becomes a minor irritation at worst.

The first thing that I really noticed was the motion sickness. If you suffer with motion sickness you will need to spend some time playing with the settings to find the best aet-up for you. I do get it quite bad, but have eventually found a selection of settings that, the last time I played, allowed me to go for over an hour before I had to switch off. And that was because the battery was dying! So, don’t panic, there are plenty of settings to help you out, whether walking through the game as if really there, or using teleport controls and adjusting the rotation from smooth to snap turns of varying degrees. You can turn of head wobble and use blinkers. It took some time to find the right comfort settings but, when I did, the game ws even more playable than before.

You can also choose whether to use a weapon select ring, controlled by the left hand controller, or to use the fully immersive experience – which, to my mind, is a whole lot more fun. The fully immersive weapon system sees your pistol on your right hip, ammo on the left, a knife strapped to the left chest and grenades on the right. Reach up over your right shoulder and you can whip out your two handed weapon like the shotgun or SMG. Reloading is also done manually so that, for instance, to relaod your pistol, you grab a magazine from the pouch on your left hip and slip it up into the pistol, or grab shotgun shells and slide them into the chamber. You may feel a bit daft the first few times you do it but, once it becomes second-nature, it is just a hell of a lot of fun and helps makes the immersion all the more “realistic”. I did find the loading of the shotgun and rifle a little tricky at first (especially when under pressure) but, once you are used to it, it all works fine.

I don’t know about anyone else, but inventory management in RE has always been a satisfying (if sometimes frustrating) experience and the VR version is even better. Everything can be done using the hand controllers, whether moving items around to make more space, combining herbs, or changing equipped weapons and it all quickly becomes second nature. Healing Leon is just a case of grabbing a herb, first aid spray, an egg or a dead fish and dropping it on the image of yourself on screen. Everything else, maps, treasures, documents and key items and be accessed from this menu and it just works effortlessly.

But how does it play?

Like a dream. Well, a very bad dream where everyone and everything is trying to kill you.

The immersion works really well and you will find yourself jumping from time to time and getting spooked as you hear sounds behind you or from things you can’t quite see. I don’t remember RE4 as being the most scary of the RE games but, a few hours in, I have jumped a few times and things can get quite stressful when surounded by zombies. The first instance of a zombie reaching out and grabbing me had ducking and crying out enough to make me miss the real-time event that cropped up and which could have saved my life. Lesson learned!

(Oh and I know they are technically not Zombies but, hey…?)

Quick time events, like the cut scenes, play out in 2D and will also take you out of the action a little, but they are all fairly easy to manage and you will soon get used to them as well.

I have started to find that the VR version controls better than the old Gamecube version I remember in some places. I have memories of fighting the Del Lago on the lake as a tedious chore of trial and error on the Gamecube but, in VR it was much easier to control and surpisingly devoid of motion sickness when I played it.

The graphics are some of the best I have seen on the Oculus and, while that is a fairly limited sample at the moment, I have had no complaints with the visuals in RE4 and very few glitches – the worst being when I screwed up the boundary settings in the Oculus itself so it looked like I was playing as a 2ft tall child – but that has nothing to do with the game!

Soundwise, it is as good as it can be through the in-built speakers but, again, the sound is very immersive and, if you are playing in a quiet environment, it is very atmospheric. It can sometimes not be clear where a grumble or sound is coming from locstion-wise but, in many respects, this just adds to the stress and terror as you fight to survive.

As I said at the start, I am part-way through, so can only comment on how I have found things so far, but there is nothing I have come across to date that would suggest this wasn’t £30 well-spent and I am going to enjoy working my way through the rest of the game. I rarely replay games as I just don’t have the time, but for RE4VR I might make an exception.

I have seen a few low and even 1-star reviews for RE4 but, on further examination, many of these seem to be from people who are upset that there are some parts of the game that have been updated for “modern audiences.” In RE4’s case, this means that they have removed some sexist language and the player doesn’t get a reaction from trying to look up Ashleigh’s skirt in this updated version. It has been so long since I played, I can’t remember what sexist language was in the original version of the game and I certainly didn realise you could even try to look up Ashleigh’s skirt!.

This doesn’t feel like a hill worth dying on to me and, for the majority, I suspect it won’t spoil their enjoyment of the game at all. If the game is spoiled for you because you miss sexist language or looking up women’s skirts then just move on and feel free to keep your opinions to yourself.

To each their own.

From my perspective, RE4VR is an incredible port of an old favourite that absolutely has a new lease of life in VR. It is immersive, intuitive, replayable and definitely worth your money in the Oculus store!

GNoH Review: The Year’s Best African Speculative Fiction (2021)

The first ever Year’s Best African speculative fiction anthology with works from some of the most exciting voices, new and old, published in the 2020 year.

YBASF is an eclectic mix of stories from a group of talented and varied writers that will transport you to a world at once familiar but, at the same time, wonderful and new. With so many tales there are going to be some that won’t land for you, but that is to be expected. The YBASF will intrigue and delight any lover of short fiction and I would recommend it.

Available to buy on Amazon

Read the full review on Ginger Nuts of Horror HERE

GNoH Review: Bad Candy (2021)

On Halloween night in New Salem, Radio DJs Chilly Billy (Corey Taylor) and Paul (Zach Galligan) tell a twisted anthology of terrifying local myths that lead to a grim end for small-town residents (IMDB)

Weeeeelll, it’s okay. While it is fun in places and suitably anthologyist (yes, I have just made up a word) it didn’t really bring anything new to the game. It has a nice set up and framing device in Paul and Chilly Billy, but I don’t think it capitalised on them as much as it could/should have done.

See the full review at Ginger Nuts of Horror HERE

Quick Reviews: My Heart is a Chainsaw, Stephen Graham Jones (2021)

Jade Daniels is an outcast – half-Indian, with an abusive father, and absent mother – in Proofrock, a town that wants nothing to do with her. Now, one class away from dropping out of school, she is pouring her life and soul into her last assignment – a personal history of horror films.

Jade Daniels loves a slasher and she loves to talk about them.

It is just a shame no one wants to listen. If they did, then they might understand the signs that Jade is seeing, share her fear of the horrors that are mounting and realise that their little town is in big danger.

Stephen Graham Jones loves a slasher and he loves to write about them.

It would be a shame if you don’t read this book.

My Heart is a Chainsaw is a glorious loveletter to the slasher film and Jones’s love of the genre burns on every page. It is also a cleverly plotted mystery that should keep you guessin until the very end. Who is the mysterious slasher terrorising the town? Will the Final Girl be able to stop them?

Jones has written an amazing book and I can’t recommend it enough. You think you know what it is when you look at the cover and at the blurb on the back, but he takes you on a guided tour of slashers and of Proofrock while fooling you at every corner until he drags you kicking and screaming to one of the best endings I have read in a long time.

GNoH Review: Brand New Dark, Beau Johnson (2021)

Bishop Rider Lives! And for a dead man, he’s been busy. His story and the parts of it yet to be told being what populates Brand New Dark. Unseen moments pulled from between the pages of A Better Kind of Hate, The Big Machine Eats, and All of Them to Burn. Twenty-five new tales that bridge what came before and expand upon what can only come after.

The retribution is brutal and your imagination will play games with you as you read, but he doesn’t linger or revel in the violence and it never feels gratuitous. That said, it is still unpleasant, so do proceed with caution if you are easily triggered by these subjects.

Available to buy on Amazon

Read the Full Review on Ginger Nuts of Horror HERE

GNoH Review: The Cove (2021)

In the near future, a pandemic has ravaged the earth. Fear, greed, and destruction have made way for such terrors as famine, pirates, and zombies. CAIRO YAZID’s, only chance for survival is to join forces with a curmudgeon, SOLOMON, also still untouched by the fatal virus, as he is the only one who knows the secret location of the safe place known simply as THE COVE.

This is a low-budget film and it wears its origins on its sleeves. However, I think it has wrung every dollar out of that budget and it is a good-looking, well-shot indie.

Read the full review on Ginger Nuts of Horror HERE