The Invitation (2022)
Written by Blair Butler
Directed by Jessica M. Thompson
Review by: Mark Walker
A young woman is courted and swept off her feet, only to realize a gothic conspiracy is afoot (IMDB)
There are likely some spoilers in this review but nothing that I don’t think has already been shown in the trailers.
Nathalie Emmanuel plays Evie, a struggling artist, working as a waitress for a crap boss and mourning the recent loss of her sick mother. With her father having died when she was 14, she is all alone apart from her close friend, Grace (Courtney Taylor). After sending off her DNA using a kit from a goody bag she and Grace nick from an event they are waitressing at, Evie discovers that she has distant family in England and agrees to meet up with her newfound cousin Oliver who is in New York on a business trip.
After getting to know each other over lunch, Oliver tells Evie about another relation marrying into a wealthy family and invites Evie to join him.
Defying all common sense, Evie agrees to go, despite the protestations of Grace, the sensible, sassy best friend. So far, so GET OUT; the lone black woman in a sea of white faces, far from home and out of her comfort zone. While the set-up is familiar, The Invitation takes a vastly different turn from GET OUT and doesn’t quite work as well.
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