A documentary crew follows cult classic horror director, Alfred Costella, as he makes his final film – An all practical masterpiece…with a dark twist. (IMDB)
Everybody Dies by The End was a fun, if flawed, comedy horror with some great performances and a fun script.
Read the full review at Ginger Nuts of Horror HERE
Haunting of the Queen Mary explores the mysterious and violent events surrounding one family’s voyage on Halloween night in 1938, and their interwoven destiny with another family onboard the infamous ocean liner present day.(IMDB)
HotQM is a solid, if slightly overlong, horror that possibly tries to bite off more than it can chew, but just about manages to stick the landing, with good acting and atmospheric direction.
Read the full review at Ginger Nuts of Horror HERE
Christian – a millionaire heir, meets Sigrid – a young student, on a dating app. They hit it off quickly, but there’s only one problem: Christian lives with Frank, a man who dresses up and constantly acts like a dog.(IMDB)
Good Boy is weird, disconcerting and gets under your skin by delivering an ending with far-reaching connotations that will stick with you long after the credits have finished. An original curiosity well worth taking yourself on walkies to watch!
Read the full review at Ginger Nuts of Horror HERE
Between the desire to create and the thing created, the model is a key, a stepping stone, a participant othered through the process of creation. These thirteen visions of modern horror dissect the relationship between artist and model, exposing the spaces the eye is tricked into missing where we witness the beautiful and monstrous intricacies of making and being made.
Featuring stories by Andrew Wilmot, M. Lopes da Silva, Gwendolyn Kiste, Hailey Piper, Roland Blackburn, Ira Rat, Donyae Coles, Matt Neil Hill, Brendan Vidito, LC von Hessen, Gary J. Shipley, and editors Joe Koch and Sam Richard.(AMAZON)
An excellent collection of disparate voices screaming out through the agony and the ecstasy of creation. While a couple of stories left me with notes that simply read “I don’t get it” that is the beauty of a collection that explores the nature of art, and everyone will have a different interpretation and a different favourite.
Read the full review at Ginger Nuts of Horror HERE
Three adult siblings go examine their late parents’ house in the middle of the forest. (IMDB)
While the film is essentially about three siblings visiting their childhood home, there is a lot more going on in the house and the surrounding woodland. And the trees may or may not be happy to see them.
Read the full review at Ginger Nuts of Horror HERE
Four social media influencers live stream their trip to Devil’s Manor, former home to a satanic cult. (IMDB)
Chad gets the Axe is a fun swipe at social media popularity and the toxicity of the internet, with a modern-day satanic cult thrown in for good measure. While it is not overly scary and there is minimal gore, there are a couple of good jump scares, and the story is fun enough to keep you guessing until the end.
Read the full review at Ginger Nuts of Horror HERE
It tries to do something clever but doesn’t quite manage it because I am not sure what that was. The plot felt lazy and repetitive and, while I could have gotten over that with a decent ending, the ‘twist’ that was delivered just made things worse.
After tolerating five years of disrespect, Cassie decides it’s time to make hell for her in-laws and her cheating husband. (IMDB)
The ILG could have been a fantastic, tense and horrific exploitation thriller or hilarious buddy revenge comedy, but it plows a fairly safe middle ground with an ending that is likely to disappoint a lot of viewers – although it will likely get you talking about it!
After waking up from a year-long coma, an insecure young man must fight his controlling father in order to discover what really happened to his seemingly absent mother, as the true consequences of his past actions unravel before him. (IMDB)
It doesn’t go into much depth when exploring its themes and there is nothing here that is likely to surprise most people, but it is still a well-made, low-budget sci-fi/horror that will entertain with its solid direction and acting.
1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror’s books, in more than 80 films and series, making him now, the most adapted author still alive in the world. (IMDB)
In a world where Gatekeepers seem to be regularly trying to fence Horror off as if it is an elitist club, it is great to see something so unashamedly celebrating one of the genre’s greats, and anything that encourages more people to love horror is worth celebrating